Much of my current music has been inspired by the abstract paintings of Gina Parr, Michel Keck, and Jason Twiggy Lott.
The creation of music that represents the still, yet intricate textures of abstract art have provoked my interest
in the idea of sound sculpture as a sonic medium in which I can create and develop my current work.
The integration of formal parameters is derivative of the artwork itself, but only as an initial framework that fluctuates
as the piece reveals itself through the materials imposed upon that structure.
The beauty of small, fragile moments are integral to the concept of my work. Providing space and time to investigate the entirety of these
moments; from the timbre and spectral nuances to the physical technique and performance informs my current pieces.
My earlier work explores ideas of program and gesture. From directness to obscurity, many of these earlier inspirations
have offered important introductory elements into the narrative that has been my journey to the music that
I compose and explore today.
Respiri (2017 rev. 2021) | flt
through and between (fall 2021) | ob
within words and spaces (fall 2021) | sop
delicate figures (2020) | vc
tribute to the night (2013) | pno
Transfuse (2017) | hrn . elec
... Somehting is wrnog ... (2018) | hrn . elec
Fantasy (2015) | flt . pno
Duo and Small Ensemble
Illumination (2013) | cl . (2) mba . pno
within a whisper (fall 2021) | flt qt
Broken Pieces (2013-14, rev. 2019) | flt choir
catching light: i.within darkness | ii.within light (fall 2021) | a sax cnto . sinf
Meraki (2020) | wd emb
Music for Now (2017) | sinf
Soaring Winds (2014) | orc
CMD + FN (2019) | bwd-pno . mvmt . projections
Ex/Body: a mission wrong things, remembered well (spring 2022) | bwd-pno . elcrx . mvmt